League Of Gentlemen USA was a quasi-concept band formed by James Lawrence, Preston Dukes, Dirk Michener and Zack Kelly during the Fall of 1997. The concept herein was initially to make recordings using only keyboards, which was semi-mind-blowing at this period of time in Denton since the only other band who made a similar attempt was Mission Giant, then later Telethon and R.C Poof. We were taking a que from fellow label mates Prima Donnas but instead of being lyrically based we chose to be totally instrumental. We were all adept musicians and the decision to be an instrumental keyboard band came about rather organically. After a few sessions we decided to throw in some samples from movies and a few conventional instruments to break things up a bit.
The name was chosen from a list of films out of one of those old massive books that listed film names. It was some kind of British spy movie from the 50′s and it sounded new-wavish enough for us.

We finished our cassette in the spring of 1998 and soon after we were told there existed another band called “League of Gentlemen” formed in 1980 by Robert Fripp. Most people said that we were better and if a band takes another band’s name and they are a better band then it is ok. It was still kind of embarrassing that none of us, all Robert Fripp fans, knew about his short-lived band from the 80′s.
I was still nervous about it and decided to stick “USA” on the end so as to have that differentiation. I don’t think the “USA” actually got attached until Business Deal updated their order forms years after we stopped playing. That same year we also found out there was a British comedy group who went by “The League of Gentlemen” which further made us want to remove ourselves from the name.

Death Race
We only did a few shows that year. Mostly house parties and record store shows in Denton. It was very difficult for us to work out the sound set-up at shows. We needed a lot of amps and the volume got out of control quickly because there were never any monitors. The most notable thing from a LOGUSA show that I can remember was when Bobcat accidentally caught his shirt on fire from a candle. It wasn’t a spectacle but it stands out to me.
Now We Arise
LOGUSA’s sound varied as wildly as keyboard music could get but we generally gravitated toward moodier, cinematic soundscapes. The sample in “Now We Arise” is Vincent Price laughing at the end of “Thriller”. The samples added some cohesion to the mostly improvised keyboard “jams”. I don’t think we ever actually rehearsed any songs.

Our second cassette, titled “Welcome to Texas Instruments” was more of a random collection of leftovers and a session that Preston and I recorded by ourselves one night. We made an attempt at emulating the songs of video games. Little did we know hundreds of other bands worldwide were also experimenting with this same idea. It seemed like the thing to do at the time. The name “League Of Gentlemen” was left off the cover of “Welcome To Texas Instruments” because it was such a haphazard affair.
The Oregon Trail
One of the best songs on “Welcome to Texas Instruments” is a heavier number I titled “Road Blaster”, an instrumental song that Preston did by himself which I recorded on my hand-held GE Cassette recorder. I heard him playing this song in the other room and ran in just in time to record most of it. He was playing the guitar and keyboard and drum machine at the same time.
Road Blaster

Cavedweller’s second show was at the Good/Bad’s gallery in honor of their “founders” birthday. I never found out exactly who it was they were referring too, if anyone at all. I performed outside on the back of a pick-up truck that had a large piece of plywood set over the bed for a stage. There’s a photograph of this set-up somewhere I will post when I find it. The most notable thing about this show is the excellent line-up featuring many brand new bands that had recently formed in Denton. The Riverboat Gambler, Asphalt the Recorder, The Meat Helmets and Cavedweller were all less than a few months old and had only played 1 or 2 gigs. This was the Meat Helmets first show, which provoked a rather polarized response as the band hurled raw meat into the audience.
Perfect Whored
From 1997 full length cassette titled “Advanced”. Heavy Stereolab, Krautrock, influence begins to rear it’s head.